ArchivesSpace at the University of Iowa

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Peter Plagens in an essay "Ruppersberg's Encyclopedia" reviews the work of Allen Ruppersberg. -- Source of annotation: Marvin or Ruth Sackner.

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Features introductory essay by M. Badura and previously published texts by him relating to work of the period 1966-1977. -- Source of annotation: Marvin or Ruth Sackner.

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The wrapping consists of elements of the American flag. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This poster depicts photographic changes of the same site on the streets of Pankow from 1978 to 1980. Wikipedia: Manfred Butzman was born September, 1942 in Potsdam. After his father's death in 1945 Manfred Butzmann grew Eutzsch with relatives on a farm. 1955 his mother took him back to Potsdam, where he attended high school and then took off the 1961 high school. During this time he took drawing lessons already. After high school he attended from 1961 to 1964 trained as a Offsetretuscheur in Berlin and Potsdam. Besides, he worked in Malzirkel of Magnus Zeller in Caputh. From 1964 to 1969 Manfred Butzmann graphics studied at art school in Berlin-Weissensee at Arno Mohr, Werner Klemke and Klaus Wittkugel . 1988 to 1993 he was a guest lecturer. After getting married to the landscape architect Eva Butzmann 1966 the couple moved into an apartment on Park Road 36 in Berlin-Pankow . In 1966, the daughter Iris was born in 1972 and 1983 Charlotte Johanna. From 1970 he worked as a...

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Forward by Arnold Herbst. Text by U. Meyer-Husmann. Exhibition included Joseph Beuy's "Buttocklifting" and "Magnetische Postkarte," both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The handwritten page by Haubaut describes his activities in producing Edition C.R.E.M. The photograph depicts a sculpture by Hubaut on exhibition in the gallery. -- Source of annotation: Marvin or Ruth Sackner.

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Exhibition was curated by Kathleen Cullen and Robert Mahoney. -- Source of annotation: Marvin or Ruth Sackner.

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Alchemy is invoked to emphasize transformation, the breathing act, and labyrinths as a means of symbolizing their physical properties. Alchemy has three modes of content, viz. 1) physical: to be in rhythmic motion, e.g. either breathe or die, 2) volitional: oscillation between desire to create (expiration) or to be immortal (inspiration), 3) spiritual: derives from breathing (latin = spiritus) and no religion, philosophy or ideology can exist devoid of the notion of spirit. -- Source of annotation: Marvin or Ruth Sackner.